Past Work.
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True Justice: Bryan Stevenson's Fight For Equality (HBO)
Emmy & Peabody Award winner. With composer Osei Essed.
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The Good Doctor (ABC)
Multiple placements, including the final scene in the series finale (s7e10). Co-writer, producer, mix, all instruments.
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Ads
Work used by brands including Wayfair, Aviva, Rocket Mortgage, and the Corporation for Public Broadcasting.
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High on the Hog (Netflix)
Season 1. With composer Osei Essed.
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Station 19 (ABC)
Multiple placements. Co-writer, producer, mix, all instruments.
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Walker (cw)
Multiple placements. Co-writer, producer, mix, all instruments.
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The Big Scary 'S' Word
Documentary. With composer Osei Essed.
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Roswell (cw)
Multiple placements. Co-writer, producer, mix, all instruments.
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Katrina Babies (HBO)
Documentary. With composer Osei Essed.
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MLB The Show 25 (Sony Interactive)
Game. Official soundtrack, 1 song. Co-write, produce, mix.
Chalk it up to a childhood spent mesmerized by “E.T.” and NPR’s constant presence in my parent’s kitchen, or the electrifying feeling of hearing the “Maine Storm Center” theme song that signaled snow days - I’ve always intuitively understood the power of music to shape and amplify a narrative.
As a composer for film, TV, and podcasts, my goal is simple: to craft music that immerses audiences in worlds and emotions that stay with them long after the credits roll. Whether it’s live instruments and organic textures, or in-the box electronic soundscapes, I thrive in blending sounds that feel both grounded and expansive.
My why.
It’s about understanding the delicate balance between the arc of an entire story and the intimacy of the moment. It's knowing how one chord can change a character’s entire intention, and not only the ear to discern what that is but the agility and openness to pivot on every revision effectively and efficiently.
With credits across Emmy-winning shows, Peabody award-winning documentaries, and major networks like HBO, ABC, Netflix, Showtime, PBS, and Sony Interactive, I’ve had the honor of scoring stories that have touched audiences on every scale.
Take a look at some of my work above, send me a message below to talk commissioned work, or head to the records section for some of my songwriting and production work. I’m not claiming to be Jonny Greenwood’s long-lost twin, but you get the idea.